AFTERMATH Review

AFTERMATH has been reviewed by the Philly Book Artist - you can read it here.

AFTERMATH at Landmarks Contemporary Projects

AFTERMATH
Michelle Wilson at the Powel House Museum
November 2-25, 2007

Landmarks Contemporary Projects
215.627.0364
lcp@philalandmarks.org



What if the liberty we believe we know is only a shadow of true freedom?

Landmarks Contemporary Projects is pleased to present Aftermath, an important new project by artist Michelle Wilson. Aftermath will be on view at the Powel House Museum in Philadelphia from November 2-25, 2007.

Behind the scenes of privileged power and middle-class comfort is a complex web of influence and deferred responsibility. Aftermath is a multi-media installation that will challenge viewers to consider the unseen consequences of the choices we make as a society, as well as the choices made for us by those in authority.

Inspired by the ideas of Plato's Cave, as well as alchemical theories of fire as a purifier, Wilson tries to find a way to see clearly in a world confounded by mass misinformation and misdirection. Aftermath exposes the ashes we have collectively brushed under the rug. Do you burn what you fear, or what you hate? Or are they the same thing?

Artist Michelle Wilson recently lived in the Powel House Museum for two years as Site Manager/Caretaker. Aftermath is heavily informed by her time there, which raised troubling questions about the relationship between social responsibility and the often unspoken existence and influence of an American aristocracy. She learned that upper-class society is frequently as disconnected from everyday life as it appears in movies and television. Unfortunately, the collateral damages from the actions of this aristocracy trickle down to the masses much more reliably than any tax breaks could.

While living at the Powel House, surrounded by an environment of historical restoration and fantasy, Wilson observed the world with new eyes. The Iraq war, the degradation of the environment, imprisonment without trial, genocide in the Sudan--she couldn't help but wonder how the American people could be s complacent. Through prints, installation, projections and sound, Wilson will attempt to break through this mask of comfort. The Powel House--as a center of the political and social milieu surrounding the birth of our Constitution--is an ideal, if sad site for this experiment.

In the Country of Last Refuge

My installation, Las Cartas, will be on display in the following exhibition:



In The Country of Last Refuge
October 20-November 17, 2007
Opening Reception Saturday October 27, 6-9:30 PM
A Mashup curated by Emma Wilcox and Evonne M. Davis
Gallery Aferro, 73 Market Street Newark, N.J. 07102

The third annual In the Country of Last Things exhibition.
Themes in exploration this year are geography, communication and violence.
With illustrated color catalog.

ADEDOYIN Bami
ALBEE Becca
ANDRESEN Scott
AWG
BARONE Ryan
BRITTO Michael Paul
BROWN Lori
CONNER Alexander
DAHLMAN Patricia
FEIGENBAUM Peter
GANPAT Asha
HANMER Dana
HANMER Travis
ITKOFF Michael
JERINIC Katarina
KELLEHER Maureen
MATERS John
MCCANN Sarah
MCKENZIE Stephen
MOLLOY Traci
MONACO Lucas
MUNDY Owen + DIETRICK Joelle
OATES Leah
ORLOFF Deborah
PAMBOUKES Joan
PARE Mike
PERIOT Jean-Gabriel
PRITZKER Elisa
ROSS Sarah
SCHIFFER Anne
THOMPSON Calla
WAKS Joseph
WALLACE Barbara
WILSON Michelle