Just finished up another workshop at Magnolia Editions - this time, a focused class in pulp painting. The class set a new record for me in distance traveled by a participant - this time it was Florida!
Above, you can see the entire class took place under the very intense gaze of Chuck Close in tapestry form.
Jenny (pictured above) has made paper with David Kimball, and brought along a pouring mold he'd made for her many years ago. Here she is experimenting with incorporating doilies into the poured sheet.
The class only had six students, all of whom worked pretty much nonstop. My assistant Heather and I had to switch off for lunch, since the students wouldn't slow down. Some of them stopped and had a quick snack, but I'm not sure all of them did.
Don introduced an interesting technique. Using a piece of gampi that had been digitally printed with one of his and Era's images, he laid it under a screen that he'd gotten from a commercial paper manufacturer. The printed image was visible through the screen - although I think a thin pellon would work just as well. Students in the class played with painting some pulp using the image as a guide.
We tried pulp with formation aid and without. You can see the difference above - the yellow is without formation aid, much clumpier. Whereas the black pulp paint has formation aid and appears much more smooth, controlled, and linear.
After the class was all done giving it a try, a sheet of paper was pulled and couched on top of the pulp painted design.
The whole thing was pressed in the group pressing at the end of the workshop. A close up is below.
I'm not sure I've ever had a class go through so much pulp, make so much paper. I was kept so busy these are the only photos I took.
On Saturday, May 3, Magnolia will be offering the workshop "Creating Paper Sculptures," Rhiannon Alpers, a highly recommended class. For more information or to arrange payment, please email email@example.com.