Last weekend I went across the water and "over the hill" to teach Pulp Painting at Judy Shintani's Kitsune Community Studio in Half Moon Bay. Outside her studio, her neighbor had lovely garden, much which was watered that day with our leftover water. Part of the garden was the amazing hanging cabbage garden above.
As we were setting up, one of the two studio cats, Winky, decided to get comfortable on Reed's station.
However we were soon off to a very productive day.
Reed did some interesting experiments with veil pulp and thread - laying thread down before the veil layer, then pulling it away to create a negative mark.
I even got to play! I left the thread in this piece and a few like it; it made me think of rhumb lines. I did trim the ends after the paper dried.
It was a warm, sunny day, and as we wound down, I think Lisa's piece below summed up what we were all thinking.
Before heading back to the East Bay, several of us stopped to see Judy's show at Harbor Books and Gallery. This picture really doesn't do the pieces justice - they are powerful and sublime.
Both Judy and Reed took some great photos - you can see them here and here respectively. It was one of those workshops that left me exhausted and exhilarated; so much so that Robert commented on it when I got home. For me, it was fulfilling to work with a small group of very interested (and interesting!) people. And of course, to talk papermaking all day.